Why are we scared of Robot
robots lack this understanding, we tend to get unnerved. While safety systems are in place, we subconsciously fret that this isn't enough. What happens if the safety systems malfunction? As the robots get more capable, they also become more complex.
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https://youtu.be/KOZ2Ii_qQdM
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Ariel Rebecca Martin born November 22, 2000, known professionally as Baby Ariel, is an American social media personality known for her videos on the social media platform musical
The iMom Short Film
Ariel Martin‘s The iMom short film stars Matilda Brown, Marta Dusseldorp, Karl Beattie, Curt Bonnem, and Tom Kiesche.
Plot Synopsis
The iMom‘s plot synopsis: “With a rapid evolution in robotics in a not-so-distant future, loving couples are now able of tackling with the discouraging and tiresome task of parenting, as the innovative iMom, a state-of-the-art synthetic substitute mother, has arrived to make diapers and sleepless nights a thing of the past. Inevitably, as the soulless automaton does the dirty job, modern fathers and mothers will have all the time in the world to enjoy their new-found freedom, nevertheless, if technology surpasses mankind, will there be room for humans as a kind?
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Satyajit Ray
Satyajit Ray was born 2 May 1921 Kolkata and died 23 April 1992 Kolkata an Indian director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and music composer
Anukul short film
Satyajit Ray’s short story Anukul, adapted by Ghosh into a short film, depicts a futuristic world where robots have become common and, as many fear, are fast replacing humans at the workplace. One such robot is Anukul (Parambrata Chatterjee), who comes into the home of his master Nikunj (Saurabh Shukla) to serve him. Interested in reading books and curious about a world that he does not fully understand, Anukul develops an easy rapport with his employer.
However, Nikunj’s brother Ratan (Kharaj Mukherjee) is extremely upset that his brother has been insensitive enough to bring home a robot when he has been rendered jobless by these very machines. Ratan manhandles Anukul, leading Nikunj to realize that even though Anukul is a machine, it does have certain rights.
When Nikunj faces the same fate as his brother and loses his job to a machine, he contemplates letting go of Anukul owing to a lack of income. But fate has other plans and Nikunj finds the robot to be the perfect companion.
The short film throws up many concerns which bears testimony to the craft of Ray whose story is woven with intricate questions about the interaction between man and machine and what it really means to be human.
Not only is Anukul programmed for unquestioning servility, he is also made to adapt according to the ethics, principles and worldview of his owner. Nikunj, in turn, finds himself teaching Anukul about god, dharma (duty), truth and to what extent one can go to do what is right. All of this shapes Anukul’s understanding of the human world and he takes the action that he thinks is right, or rather what humans have him believe is right.
Ghosh makes it a point to use the calibre of his actors who deliver understated, nuanced performances in a script that escapes black and white definitions to explore the grey spaces, ultimately leaving us with a sense of foreboding. Watch Anukul here:
